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HOLIDAY SCHEDULE: The Library will be Closed Monday, Jan. 18 and Wednesday, Jan. 20

The Library and all Arlington County Government offices and services will be closed on Monday, Jan. 18 for Martin Luther King Jr. Day, and Wednesday, Jan. 20 for Inauguration Day.

Central Library will be open Tuesday, Jan. 19 on our regular schedule for holds pickup.

Arlington’s annual tribute to Rev. Dr. Martin Luther King, Jr. is virtual in 2021! Join us for a free online experience where you can choose what you want to see, when you want to see it. From music and dance to spoken word and community dialogues, there will be something for everyone. Help us carry on Dr. King’s legacy by remembering our history and joining us in a call to shape our future.

Notes on the Arlington Symphony

Between 1945 and 2005, Arlington County was home to the renowned Arlington Symphony, organized and maintained as a volunteer effort by members of the community.

Over its 60-year run, the symphony performed a wide variety of music across the County and was one of Arlington's first, and longest-running, arts organizations.

Excerpt from the Washington Post’s 40th-anniversary feature on the Arlington Symphony. Image courtesy of the Washington Post.

First Movement

The Arlington Symphony was organized in the years following World War II, providing a source of respite from the turmoil of the wartime years.

Van Lier Lanning – an Arlington resident – was the leader of these initial organizing efforts. Lanning had also organized and directed the War Production Board orchestra during WWII. Lanning’s vision was to establish a suburban orchestra. This dream materialized in late 1945 as local citizens began to sign on to establish what was called a “civic orchestra.”

A volunteer group of Arlingtonians formed a Steering Committee and recruited players, who also chipped in $10 apiece for the purchase of sheet music. Ellis Chasens, former concertmaster of the War Production Board Orchestra, signed on as the Arlington Symphony’s first concertmaster.

Opening Night

Program excerpts from the Arlington Symphony’s first concert on April 3, 1946.

The premiere concert took place on Friday, April 3, 1946, at Washington-Lee High School (now Washington-Liberty). This opening night featured baritone soloist Paul Hume,  who went on to serve as the Washington Post’s music critic. The evening was a resounding success, and a second performance followed the next evening. Another performance in June followed, and by fall 1946, plans for a full program were underway.

A program of eight concerts was approved for the following year: four of them would be evening, adults-only, concerts and four would be Sunday afternoon children’s concerts, followed by performances of a youth orchestra. This set the pattern for the orchestra’s early schedules.

Tickets in this first program year were 75 cents for the adult concerts and 30 cents for the children’s concerts. From 1951-1968, programming was free, but tickets were reinstated in later years to accommodate for budgeting gaps.

Numerous conductors served in these early years, but by the 1954-1955 season, the position went unoccupied due to insufficient funds for the part-time work. Later that year, John Wigent signed on to the job. Wigent, a trained clarinetist and double bassist, had previously served as Harry Truman’s pianist and as an organ player at the Arlington Temple in Rosslyn. Karl Rucht signed on as the next director, where he served for more than 15 years. Rucht was known for his drama, flare, and “spectaculars” – including full concert versions of operas, special soloists, and concerts with more than 300 performers on stage.

Karl Rucht, the Arlington Symphony’s Music Director from 1960-1985.

Style and Substance

One of the Symphony’s signature elements was solo performers, who were featured in the hundreds over the course of the symphony’s seasons. The soloist program was not only a chance to highlight talent, but it also broadened the scope of the Symphony, as they included performers from across the nation and abroad. One of the Symphony’s most popular soloists was Evelyn Swartout, who performed four consecutive years in a row.

The soloist program was also a way to incorporate younger members of the Arlington community, who were sometimes selected from the Association’s scholarship program. In the 1940s, public education in music was limited, and the Symphony filled this gap with its musical programming, even as the move toward public music courses increased in later decades.

Organization and Funding

The Symphony Association, County government, and other civic and social groups often worked together to help support the group’s artistic efforts. Spaces for rehearsals and concerts were provided by the School Board for no or reduced fees, and in 1966, members of the Association met with County Manager Bert Johnson, who provided $3,600 in funding from the County budget. This arrangement lasted for much of the symphony’s lifetime, increasing over the years due to inflation. Other fees were supplemented by Association fundraising and external grants.

The Association’s Board of Directors was incorporated in 1966 and consisted of 26 to 30 members. The group was augmented and supported by a Women’s Committee for the Symphony, as well, which consisted of 114 members by 1980.

 

Music preference poll sent out by the Arlington Civic Symphony Association in April 1961.

In 1980, March was designated as “Arlington Symphony Month” by the Arlington County Board.

In 1985, the Arlington Symphony celebrated its 40th anniversary – among its members that season was a 40-year veteran of the symphony, Caurine Easterling. A write-up on the event in the Washington Post notes the symphony’s range of ages – from teenagers to octogenarians – and also notes that this was the final season Karl Rucht served as musical director.

Photo of the Arlington Symphony, from “The Story of the Arlington Symphony Association: Trials and Triumphs of a Volunteer Effort,” published in 1980.

Final Act

The Arlington Symphony came to a close in 2005 after declaring bankruptcy. Its final music director was Ruben Vartanyan, who served with the symphony for 13 years. In 2006, a group of former Symphony members joined together as the Arlington Philharmonic, and Vartanyan directed the new group’s inaugural concert, leading a performance of Tchaikovsky's Serenade for Strings, Op. 48.

Arlington is still home to the Arlington Philharmonic, as well as the Arlington Concert Band and many other classically-focused musical groups and other musical organizations.

Program for a 1983 Youth Scholarship Concert held by the Arlington Symphony.

Advertisement for the Arlington Symphony’s 1999 “Swing into Summer” benefit concert.

Want to learn more? Arlington’s Center for Local History holds records of the Arlington Symphony in RG 54, and documents related to the Arlington Symphony are also available in RG 57, the personal papers of Hugh Johnson, who served as one of the Symphony’s presidents.

CLH also has an oral history interview in its collections with Theodore and Jean Taylor, where the couple describes the early days of the symphony and their involvement in the group, including Jean Taylor’s role as president of the Women’s Committee.

To learn more about Arlington's history, visit the Center for Local History on the first floor of the Central Library.

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Kathryn Stone: Speaking Out

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Join us for a new series of stories from the Center for Local History highlighting members of our community who made a difference in ways that helped shape our history and created positive change. 

Their voices were not always loud, but what they said or did had a significant impact on our community.

Kathryn Stone

Kathryn Stone, the first woman from Northern Virginia elected to the Virginia General Assembly, was one of a small minority of voices in Virginia that courageously fought against the state’s policy of “massive resistance” to school desegregation.  Arguing to keep the public schools open and begin desegregation, she accused long-time proponent of segregation, Senator Harry F. Byrd, Jr. and his organization of fostering “a spirit of lawlessness and disrespect for constitutional government.”

"Vote for Kathryn Stone" flyer

A solitary voice, she warned the General Assembly against passing a series of bills aimed at stopping the NAACP from bringing desegregation lawsuits to court which, she argued, curbed freedom of speech and assembly:

“You are stooping in panic as you desert the Bill of Rights, which was born in the mind and hearts of the greatest Virginians.”

As a lawmaker, Stone also played an influential role in the creation of the Virginia community college system and was a leader in legislation to improve youth services, mental health, education, and welfare, but first and foremost, she will always be remembered as a symbol of progressive change and as an undaunted champion of the cause to end segregation in the schools.

Do you have a question about this story, or a personal experience to share? 

Use this form to send a message to the Charlie Clark Center for Local History.

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2020 Year End Reflection

Season's Greetings from All of Us!

So much in 2020 has changed...

From the way we operate, to how we check out print books, to moving all our events to a virtual environment.

What hasn’t changed...

Is our shared passion for reading, learning, and curiosity.

Our belief in free and open access to knowledge and opportunity for all.

Our tireless dedication to:

  • Bringing you the books you love, in every format
  • Filming fun storytimes for our new YouTube For Kids channel
  • Planning exciting new author events
  • Connecting with you by text and chat, or during online book club meetings and workshops

The staff at Arlington Public Library misses you and will see you all in 2021. We wish you a joyful holiday season and a wonderful New Year.

Librarians Grid 1 (2)
Watch the Video on YouTube

Interested in reading one of the books included in the video? Check out our "End of Year Video" booklist to get a copy. 

Leonard “Doc” Muse: Taking a Stand

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Join us for a new series of stories from the Center for Local History highlighting members of our community who made a difference in ways that helped shape our history and created positive change. 

Their voices were not always loud, but what they said or did had a significant impact on our community.

Leonard “Doc” Muse

Leonard “Doc” Muse (1923-2017), was an African-American pharmacist and social activist, and the owner of Green Valley Pharmacy, a neighborhood institution whose importance extended far beyond that of a typical pharmacy.

Muse was born in Florida, served in World War II, and then used his GI benefits to attend the Howard University School of Pharmacy. In 1952, along with partner Waverly Jones, he purchased the property which was formerly Hyman’s Grocery, and opened the Green Valley Pharmacy. In addition to being a drug store and filling prescriptions for the neighborhood, it functioned as a gathering place featuring a lunch counter which provided free meals every Wednesday afternoon and on occasion providing free prescriptions for those unable to afford them.

With this role in the community came the challenge of dealing with myriad interests and pressures, but Muse negotiated these rough waters with determination and skill.

Green Valley Pharmacy

In an oral history conducted by the Center for Local History, when asked about his motivation to become a pharmacist, Muse said:

“Oh, it’s a long story.  I was a kid, and the lady next door…asked me to go and get a prescription filled for her…I got there, I was tired, and I went to sit down, and that guy told me, “You can’t sit here.”  So I went out and sat on the sidewalk until they filled the prescription.  And I had the idea, I said, well, we need a pharmacy where we can sit wherever we want to –“.

Green Valley Pharmacy was named as a Historic Landmark by the Arlington County Board in 2013, and Muse received a Community Appreciation Award from the Arlington NAACP, and continuing to work and be a constant presence until his death in 2017.

Green Valley Pharmacy 2008

Do you have a question about this story, or a personal experience to share? 

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Arlington’s Own Fast and Furious

Virginia has a long history of horse and car racing, and Arlington County has had a role in both of these historically popular pastimes.

Beginning in the 1890s, Arlington (then known as Alexandria County) was home to a half-mile-long racetrack that drew thrill-seekers and daredevils from the County and beyond. The track, located on the grounds of what would become the Washington Airport next to the Hoover Airport, was on the land south of 14th Street bridge now occupied by the Pentagon.

Racing venues like Alexander Island in Arlington, and the St. Asaph Racetrack in Alexandria also became the focus of nationwide anti-gambling measures around the turn of the century.

Winners in “Old Number 4” at the Arlington racetrack, circa the early 1920s. According to the note on the photo, the 5-mile race on the half-mile-long track was covered in 6 minutes and 7 seconds – meaning the amateur driver nearly overcame the 50-mile-an-hour speed barrier.

A Racetrack for Arlington’s “Miniature Monte Carlo”

Arlington’s racetrack has its origins in the controversial history of the now extinct Jackson City neighborhood, and its then twin, Rosslyn. In the late 19th century, the two areas were considered hubs of criminality, associated with betting, gambling, and other unsavory activities.

Jackson City was even referred to as a “Miniature Monte Carlo.” Following the post-Civil War ban on gambling in Washington, D.C., the neighborhoods drew customers across the Potomac to Rosslyn, conveniently located by the Aqueduct Bridge, and to Jackson City at the Long Bridge.

An article from the Washington, D.C., Evening Star on January 30, 1892, alludes to the controversial nature of the Jackson City area in Arlington. Image courtesy of the Library of Congress.

In the 1890s, Virginia lawmakers attempted to control the gambling that had overtaken the state, but corrupt legislators slipped in a loophole to allow an exemption for driving clubs, agricultural organizations, and grange organizations. Thanks to this provision, the Jones family in Arlington was able to secure a charter from the Grange Camp Association of Virginia and began investing in a racetrack in Jackson City.

Over the years, the racetrack would sometimes be referred to as the “Alexander Island” racetrack, referring to the also-controversial piece of land it sat on, which was considered Virginia at low tide and Washington, D.C., at high tide.

When a judge ruled the racetrack could stand, this set the precedent for the area formerly being considered part of Virginia – as horse betting was illegal in the District. This decision was later reversed in the 1930s, but Alexander Island ultimately came under the Pentagon’s jurisdiction a decade later and is now the present-day site of the Connector Parking Lot.

The City of Alexandria’s Racetrack Rises

Around the same time the Arlington racetrack got its start, investors in the city of Alexandria were also capitalizing on the loose gambling laws. A Gentlemen’s Driving Club was chartered in 1888, and by 1894 this would materialize into the St. Asaph Racetrack – the more notorious track in the Northern Virginia region.

This track was backed by the Hill family and other numerous high-profile investors, among them Virginia Senator George Mushback, who had helped pass legislation allowing for gambling to continue.

Photo from the Northern Virginia Sun, October 8, 1970, for an article titled “Arlington-- Yesterday and Today.” Though the caption and title suggest this was the Arlington racetrack, this photo is of the St. Asaph grandstand.

Located in the Del Rey neighborhood, the St. Asaph racetrack was extremely popular, drawing in thousands of dollars on its racing days. The operation made an estimated $150,000 per year – bolstered by its poolroom, where gamblers could stay connected and bet on other races via the establishment’s telegraph wires. The track was ¾ miles long and was frequently noted for the beauty of the landscape and architecture.

By 1895, the competing Arlington and city of Alexandria tracks and their investors had reached an agreement to race on alternate days, keeping both in business. In 1897, horse racing was outlawed outright by the state, though betting for out-of-state races at St. Asaph continued with the racetrack’s extensive telegraph setup. In 1898, during the Spanish-American War, St. Asaph’s was also used by the U.S. Army as a mobilization camp.

Maps from July 6, 1927, Airway Bulletin (No. 124) show Arlington’s racetrack adjacent to Hoover Field. Image courtesy of the University of California.

Drama, Debauchery, and Depositions

The scale of the St. Asaph’s track eventually made it a target for Crandal Mackey, who after being elected the commonwealth’s attorney in 1903, set his sights on eliminating crime in the region. Mackey had become a prominent figure in both Rosslyn and Jackson City, shutting down the area’s illegal bars, bordellos, and casinos over his tenure, and the racetrack was next on his list.

After Mushback’s death, Mackey swooped in to take down the racetrack and its not-so-savory reputation. In May of 1904, he staged a dramatic raid on the track, backed by a posse with sledgehammers and axes who destroyed slot machines and other equipment.

However, the track soon resumed business as usual. Mackey would eventually obtain 19 warrants against the track’s owners, igniting an extended courtroom battle against some of the region’s richest and most prominent figures. Mackey was ultimately successful in 1905 when the St. Asaph racetrack shut down for good.

“Flood with racetrack in the background,” Image of the abandoned St. Asaph Racetrack, 1924, with the Arlington radio towers in the background. Image courtesy of the Library of Congress.

Memories of the Arlington Racetrack

It’s unclear why the Jackson City racetrack eluded Mackey’s “shotgun justice,” but it managed to disassociate itself from the historical notoriety of its Alexandria counterpart.

In the early 1900s, the Arlington racetrack remained a place for spectators to take in the thrills of the burgeoning sport of car racing. It was also near another popular spot for Arlingtonians to pass the time, the Arlington Beach, which featured a dance hall and amusement park rides.

Want to learn more about early 20th Arlington? Check out “Shotgun Justice: One Prosecutor’s Crusade Against Crime and Corruption in Alexandria & Arlington,” available at the Library.

Do you have a question about this story, or a personal experience to share? 

Use this form to send a message to the Charlie Clark Center for Local History.

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Edible Books: Cookie Bookie Contest

Cook Up a Tasty Tome!

Submission deadline: Tuesday, Dec. 29, 11:59 p.m.

Cookies on a blue background, with the words Cookie Bookie Contest.

Prizes will be awarded for best edible books made by Adults, Teens and Kid/Family creators.

The Cookie Bookie Contest is an edible book contest, which means the submissions are made from edible ingredients and take inspiration from a book or author. They can be a book title pun, book cover reproduction, or a reference to a book character or to books in general. Examples include decorating a cookie like your favorite character or making a book cover out of a pie crust.

Looking for decorating ideas? Join us for:

Submission Guidelines

Submissions will be judged by their visual appearance and will not be tasted (much to the librarians' disappointment).

  • Submit a photo of your edible book (.jpg or .png) using the form at the bottom of this page. Name your file: Firstname_Lastname.format.
  • Submissions will be reviewed by a committee of Library staff.
  • Anyone within the Library community may submit. You do not need to be an Arlington resident to participate.
  • By submitting a photo of your edible book, you grant the Library the right to publish that photo on the Library website, social media and in marketing materials. Ownership rights of your original photo remain with you, the creator.
  • All work is subject to Arlington County and Arlington Public Library standards of conduct.
  • Submitting work does not guarantee publication.

Submit Your Entry

By uploading my information to this form, I give the Arlington Public Library permission to publish my first name and photo (if included) on Library social media, the Library website and promotional materials. Though published by Arlington Public Library, ownership rights of the original work will remain with the creator. Not all submissions will be published.

Fire Station #8: Taking a Stand

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Join us for a new series of stories from the Center for Local History highlighting members of our community who made a difference in ways that helped shape our history and created positive change. 

Their voices were not always loud, but what they said or did had a significant impact on our community.

Hall's Hill Pumper

Fire Station #8

With a history that goes back over a century (est. 1918), it’s impossible to overstate the role that Fire Station #8 has played in the lives of the citizens of Hall’s Hill and Arlington County.  Facing underfunding, inadequate and outdated equipment, and institutional and individual prejudice, the firefighters stood up and faced down these and, other challenges, setting an aspirational standard for generations to come.

The following excerpts from an interview with former Fire Dept. #8 firefighter Lt. Hartman Reed depicts the struggles faced at that time:

“What can I say about the vehicles that we had were very old. Now, this is 1952 when I first came on, the fire trucks were a 1928 and a 1932 trucks...I’m not sure we even had a windshield on the thing...They wanted to say that you didn’t have the ability. Being black you didn’t have the ability, the courage, the knowledge...some of the dispatchers were that nasty, I guess you want to say, not to send you (to the fire)...we had a fire in our jurisdiction. We were first do right behind us, somewhere… I wasn’t on the fire, but I knew the other shift rode it - went. We were told when we changed shifts.

They went on the fire and the man’s house was on fire, and wouldn’t let them in. He wouldn’t let anybody in until…the second do company, which was either Falls Church or Cherrydale came in there, and they had to put the fire out.  This man was going to let his house burn down before he let us go into his house. It was that bad.“

East Arlington VFD

Further reading:

https://library.arlingtonva.us/2015/08/04/legacy-halls-hill-vfd-and-station-no-8/

https://library.arlingtonva.us/2018/02/27/oral-history-interview-with-firefighter-julian-syphax/

https://arlingtonfirejournal.blogspot.com/2018/02

Fire Station 8, 2209 Culpeper St

Fire Station 8, 2015

Do you have a question about this story, or a personal experience to share? 

Use this form to send a message to the Charlie Clark Center for Local History.

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The Library Director’s 2020 End-of-Year Playlist

"Too Cool for Yule"

Funky Cassette Tape
Cassette Case Playlist

When I was younger, I made mixtapes for my friends, my siblings, my work colleagues, and often, just for me. For those under 35 who might not have had the experience of methodically pouring over your record and tape collection or waiting patiently by the radio for the replay of that one tune that really captures the essence of the person you are making the tape for, the hours you can spend with your two-slot cassette player are some of the most intimate and lonely, exhilarating and exhausting, optimistic and indulgent, and simply joyful experiences you can have (just ask your parents). Each tape is a story of a person. Some are goofy. Some are sobering. Some are topical. And some are just a hodgepodge of inanity. But each one is special. Every mixtape is a piece of your heart and glimpse of the “you” you are when no one is looking.

For the past 13 years, I have published a “Too Cool for Yule” playlist, as my love letter to the County and the people we serve. And while (sadly) Spotify has replaced the cassette tape, making the process easier, like much of 2020, this playlist was more difficult than ever to create.

How can I truly honor those that have left us too soon, the sacrifices we have all had to make, and the growing uncertainty of what next year will bring? How can I capture both the compassion and caring our neighbors have shown for one another throughout the pandemic, and our fervent wish for brighter days to come? So this was my attempt:

Open playlist in Spotify

From the mournful twang of Pete Seeger to the unbridled joy of Little Richard. With solemnity from the Boston Camerata and the eccentricity of Tom Lehrer, we hope this playlist has something for everyone. If you are alone for the holidays, please know, we are here for you. And let us hit pause for a moment to reflect on the immortal words of John Prine:

No Libra sun, no Halloween
No giving thanks for all the Christmas joy you bring
But what it is, though old so new
To fill your heart like no three words could ever do

I just called to say I love you
I just called to say how much I care
I just called to say I love you
And I mean it from the bottom of my heart

As one of my wise colleagues recently told me, even though many of us cannot celebrate the holidays this year, if we’re lucky, there will be many, many more to come.

Stay safe, stay hopeful.

Diane

Scrawled signature of Diane Kresh






















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