One of the busiest areas of Arlington can be found in Clarendon, where Washington Boulevard, Wilson Boulevard and Clarendon Boulevard all meet. In the early 1900s, the presence of the trolley in Clarendon led to an outgrowth of merchants and businesses in that neighborhood.

Although the names, owners and buildings themselves may have changed over time, what has remained constant is the steady parade of shoppers, pedestrians, and commuters that flock to the businesses and restaurants in Clarendon. Long before malls and multiplex cinemas became the mainstays of the present day consumer, customers packed the Ashton Theater, Little Tavern, Sears, and numerous other businesses in Clarendon.
Clarendon Circle was conceived around the time of the onset of World War I, when a parcel of land donated by Arthur J. Porter was used to make the circle. Sometime in the late 1920s-early 1930s, the American Legion began construction on a War Memorial Monument in the center of the circle, supposedly using stones from a retaining wall from the Tomb of the Unknown Soldier, which was being dismantled at that time. After its dedication on November 11, 1931, the memorial remained at Clarendon Circle until 1940, when concerns about the structure being a possible traffic hazard resulted in its relocation to the Court House that same year. Eventually, in 1986, the memorial was returned to a spot very near its original location.



Of the two Shreve family cemeteries in Arlington, the Southern-Shreve cemetery could possibly lay claim to having a more unique history. Located on the north side of Fairfax Drive, between North Frederick and North Harrison streets, the cemetery sat near the property of Richard and Frances (Redin) Southern. Richard Southern was a landscape architect and horticulturist, who became known for pioneering the use of the tomato as a food. It may seem hard to believe in these modern times, but prior to Southern’s efforts, the tomato was widely regarded as being poisonous and was only used for decorative purposes.
Progressive rock… I’m sure that some of you still have a few King Crimson, Yes, Moody Blues, or Emerson, Lake, & Palmer albums lurking in your collections somewhere. While never approaching the popularity of the aforementioned groups, Arlington’s very own entry into the progressive rock sound of the 70’s, The Seventh Dawn, had a story arguably as unique as any, and a sound that avoided the pitfall of many of their superstar contemporaries, which has led to a modest, but well deserved reappraisal of the band that few could have predicted.



